Tag Archives: photograph


How easy was it to ‘Photoshop in’ the trees?


It’s strange. In picture terms, people’s perception of reality is often hampered by a literal interpretation. A camera never lies. I suppose this is debatable – the choices a photographer makes when creating an image  can distort  perspective in a particular scene. But this is usually intended to create interest rather than to misinform. Most of the time. In 2009 I had a print exhibited in the Association of Photographers Open exhibition. A moody shot of St Paul’s Cathedral – unusual, but not controversial. Or so I thought. “It must have taken ages to ‘Photoshop in’ the trees,” is the […]

Kodachrome – no more!


I’ve recently been reading postings on forums regarding the demise of Kodachrome, a film which has been used by generations of photographers, amateurs and pros alike.  Introduced in 1935, it was available in various forms until 2009, when Kodak announced it would cease production due to a fall in demand. If you are one of the few who have any rolls left, remember you have until 30th December 2010 to get it to Dwayne’s Photos in Parsons, Kansas, the last place still processing this film, when even they will stop. I shot my first rolls of Kodachrome in 1979 and […]

The Somme memorial at Thiepval


Two days ago I had the opportunity to visit the Somme region in Northern France whilst on an assignment. I have driven past the area countless times on car shoots, but  this time I made a particular point of stopping and visiting some of the World War One cemeteries. The most moving was at Thiepval, which is the site of the largest British war memorial in the world. Designed by Sir Edwin Lutyens and opened in 1932 by the Prince of Wales, you can see inscribed the names of the 73,357 British and South African men who fell at the […]

19th century revisited – Photogravure


A printing technique that has long fascinated me is photogravure, a black and white process developed in the late 19th century. Frequently seen in old books, the texture and tonality is beautiful, and very different to that you would achieve with silver gelatin printing. Often purposely dark and with lower contrast, the images may not suit everybody, but I was intrigued enough to attend a workshop recently. With photogravure, an image is etched into a sensitized metal plate, which has been exposed to a large contact negative. The plate is inked and drawn through a press in contact with paper.  […]