A printing technique that has long fascinated me is photogravure, a black and white process developed in the late 19th century. Frequently seen in old books, the texture and tonality is beautiful, and very different to that you would achieve with silver gelatin printing. Often purposely dark and with lower contrast, the images may not suit everybody, but I was intrigued enough to attend a workshop recently. With photogravure, an image is etched into a sensitized metal plate, which has been exposed to a large contact negative. The plate is inked and drawn through a press in contact with paper. […]
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Just before Christmas I started editing the hundreds of car photographs I took between 1989 and 1997 for a series of books. All classic cars, ranging from Austin 7 ‘Chummys’ through to rare Ferraris, it was interesting to see them again after they had been confined to a filing cabinet for many years. During the process, I found images of my all time favourite car, the Citroën DS. One particular model was a 1964 Citroën ID 19 Safari, captured in Yorkshire on a hillside, with a rainbow in the background. It had taken me 11 years to get this shot! Spending […]
At the same time I was taking the Pinhole Impressions monochrome series (see previous post), I was also photographing the dramatic coastline near Cape Trafalgar, Andalucia, in Southern Spain. This time vivid colour images were produced, using the same pinhole camera. Around 12 images from this set will be exhibited at Los Balcones del Califa, in the hilltop town of Vejer de la Frontera, Cádiz. The gallery is situated only a few kilometres from the beautiful Cape Trafalgar and the town of Conil, where the photographs were taken. There will also be a limited edition book produced to illustrate the exhibition. This […]
In November 2007 I started experimenting with film again, after a break of several years. More specifically, I was testing a pinhole camera. Digital had become very much the norm for commercial work and I just had a hunch about the effects that I could achieve using really simple equipment. The black and white photographs I took at RHS Wisley through the winter of 2007 and 2008 evolved into a project I called ‘Pinhole Impressions’. They illustrate trees and the effect of wind as the leaves begin to fall. This series of images has just gone on show at Will’s […]