In December 2008 I started a project which evolved into set of images called 43 Gardeners’ Hands. This was exhibited at Kew through the summer of 2009. Four more photographs were taken just after the exhibition deadline, and as a result were never exhibited. So, clockwise from top left: Dan Hinckley, Tim Richardson, Rosemary Alexander and Will Giles.
Tag Archives: black and white
Some recent sketch ideas from a walk I regularly take:
Earlier in the year I visited the Monet Gardens at Giverny to photograph the waterlillies. Prior to the shoot, I was asked to make some test shots for a few ideas I had, and these are the results. Shot at my local, Kew, the ideas weren’t adopted in the end, but a few days ago I finally made some high res scans. I love using square format. Unfortunately most art directors worry when you mention it. To fit a page, a crop is almost inevitable, making its use irrelevant. And why shoot a beautful garden in black and white? The […]
A few test shots from a short visit to Kew Gardens last Friday. I’m also trying a blog slideshow plug in, which has more images to scroll through. Hopefully it will view correctly in your browser. If you click on a large photo, it will stop the slides changing and display a full frame image. To restart the show, click on the background or thumbnail of your choice.
It’s strange. In picture terms, people’s perception of reality is often hampered by a literal interpretation. A camera never lies. I suppose this is debatable – the choices a photographer makes when creating an image can distort perspective in a particular scene. But this is usually intended to create interest rather than to misinform. Most of the time. In 2009 I had a print exhibited in the Association of Photographers Open exhibition. A moody shot of St Paul’s Cathedral – unusual, but not controversial. Or so I thought. “It must have taken ages to ‘Photoshop in’ the trees,” is the […]
There are two new exhibitions where I have photographs on display, both in London. The first, Shades of Winter, is a joint exhibition at Fulham Palace, with photographer Caroline Ames. I have 10 of the Pinhole Impressions series on display (see previous postings) and Caroline has 10 photographs of Fulham Palace, taken last winter. A large version of 43 Gardeners’ Hands is also on display. This runs from 24th November 2010 to 27th February 2011. For more information and travel details, see the Fulham Palace website. The second exhibition is the Red Dot charity auction at the Association of Photographers […]
Last week I visited the new Eadweard Muybridge exhibition at Tate Britain. On leaving the gallery, I saw a note on the foyer wall saying visit the cafe and download the Muybridgizer app for your iPhone….. The exhibition was fascinating. There was a wide range of work on display and a lot was new to me. Before his experiments with time sequences, Muybridge made a lot of money in the United States from some of his landscape photography, particularly with stereographs. These were small cards with two photographs of the same subject, each from a slightly different perspective. Seen through a […]
I have collected cameras for many years, and the display cabinets in my office have long been full of photographic detritus. Subject to many clear outs, the remaining equipment is an eclectic mix of stuff I have used over the years, or antiques I’ve taken a shying to. My favourite by far is the Baby Rolleiflex I bought on Ebay. Made in the early 1960’s, it is an example of great engineering. With precision wind on and a shutter that has a satisfying click, it is a world away from the clunk most SLR’s (digi or film) seem to […]
A printing technique that has long fascinated me is photogravure, a black and white process developed in the late 19th century. Frequently seen in old books, the texture and tonality is beautiful, and very different to that you would achieve with silver gelatin printing. Often purposely dark and with lower contrast, the images may not suit everybody, but I was intrigued enough to attend a workshop recently. With photogravure, an image is etched into a sensitized metal plate, which has been exposed to a large contact negative. The plate is inked and drawn through a press in contact with paper. […]
In November 2007 I started experimenting with film again, after a break of several years. More specifically, I was testing a pinhole camera. Digital had become very much the norm for commercial work and I just had a hunch about the effects that I could achieve using really simple equipment. The black and white photographs I took at RHS Wisley through the winter of 2007 and 2008 evolved into a project I called ‘Pinhole Impressions’. They illustrate trees and the effect of wind as the leaves begin to fall. This series of images has just gone on show at Will’s […]